We thought it was the “end of the Union” storm…

Thursday 18th, the day the Scots voted on independence, saw a huge storm in the south west. This long-exposure shot with Kelston clump in the distant horizon was taken by Matt Prosser in Keynsham:

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A year of fantastic Clump photos celebrated in picnic prizegiving

Winners of the Clump photo competition were celebrated on 16 August at a picnic held in two Army tents.

Overall winner, for a whole season’s series of epic pictures (among many favourites we chose the clump under a highly significant May full moon) had to be Matt Prosser. Matt wins a Bath Soft Cheese, presented by Hugh Padfield, and a jar of Kelston Roundhill honey prepared by Dr Clive Smith. Another award of single-estate Rodden Apple Juice from Dorset went to Graham Padfield for his picture of the barn in the setting sun. Finally BonnieMarie (from whom we think there is more to come) gets an award of a bottle of cider (contributed by Matt) for her rainbow on the clump (is it beaming energy up? or down?).

Many thanks to all who came, judges – especially Paul Clarke for his insightful comments – contributors of photos and of prizes.  Main aim was to ensure that no-one went home with the prize they’d brought in the first place – successfully achieved we think.

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Kelston picnic photo; tents and table supplied by Ed Strutt

 

Kelston picnic group photo 16 August 2014, by Matt Prosser.

Kelston picnic group photo by Matt Prosser.

For next year’s August picnic we plan an “any media” competition for expressing the spirit of the place. Also – inspired by Theo – soapbox races. Ideal occasion for that with a long, steep bumpy track and at least half a dozen qualified doctors and nurses in attendance.

 

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Klump-related work-in-progress from Bonnie’s MFA arts project at Bath Spa

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Bonnie writes:

In exploring the physical process of walking, my work maps the emotional process that is inseparable from the physical. Important elements of the emotional process within these solitary walks allow us to:  reconnect us with ourselves and the present, gain perspective, and draw our attention to the sublime within the landscape. How can I explore this existential nature of walking through art?

Are some elements more important than others and can one be explored without alluding to another? Can a successful work be made from sections of the walks rather than the whole walk? Why those sections and what is it about those sections that is important to the work?

I am interested in works that look at the contemplative nature of being in and moving through the landscape, works that show how perspective can alter what we perceive.

I work predominantly with photography and audio to document my walks, recording the landscape and soundscape around me, showing the movement of walking through sequential photography rather than film. I record the entirety of each walk, on multiple occasions, selecting sections from the walks to exhibit as visual or audio works. I believe the honesty of documentation to reflect the honesty of the experience. I work methodically with my documentation, e.g. taking a photo every set number of steps. I undertake walks that cover specific times of day (e.g. an hour before to an hour after sunrise) that whilst documenting the route also capture the changing light.

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What’s with all the photos?

Reminder: we’re having a competition of photos of Kelston Roundhill. Details here, except we forgot the deadline was last Friday so it’s extended to this Friday 15 August. Celebratory shared picnic this Saturday 16th. Prizes include finest Bath Soft Cheese. Use email for picnic details or to mail any photos: see about/contact.

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More thunder & lightning from Matt Prosser

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Donner und Blitzen over Kelston Roundhill #4, by Matt Prosser

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Donner und Blitzen over Kelston Roundhill #5, by Matt Prosser

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With 48 hours to go to the photo competition deadline: four more from Graham

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The Clump from Hangman’s Field, by Graham

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Walking to the Clump through Roundhill Field, by Graham

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Old Barn in the setting sun, by Graham

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Stacked cloud over hte clump, by Graham

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Fading green pastoral August scene from Graham

EpicfromGrahamHe farms, he makes cheese, he takes photos and – coming soon – he writes poems. Another from Graham Padfield. From this view you’d say the Roundhill was adequately wooded. But I think that’s an illusion.

Remember: photo judging and prizes this Saturday at a picnic on the Roundhill. So get any entries in by Friday midnight please. Email for details.

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