The Clump from Hangman’s Field, by Graham
Walking to the Clump through Roundhill Field, by Graham
Old Barn in the setting sun, by Graham
Stacked cloud over hte clump, by Graham
-
Recent Posts
Recent Comments
Clare Heath on Happy Monday planting oaks and… Rachel Davies on Childhood recollection of Kels… William on Fragments of Kelston Roundhill… Brian Michael Stott on Fragments of Kelston Roundhill… Anonymous on Can spreading curds and whey e… Archives
- March 2023
- February 2023
- December 2022
- October 2022
- July 2022
- May 2022
- March 2022
- December 2021
- October 2021
- August 2021
- June 2021
- May 2021
- April 2021
- March 2021
- June 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- June 2018
- May 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- January 2016
- December 2015
- November 2015
- October 2015
- August 2015
- July 2015
- April 2015
- March 2015
- January 2015
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- January 2013
- October 2012
- August 2012
- June 2012
- May 2012
- April 2012
- March 2012
Categories
Meta
Kelston Roundhill and Roundhill Barn 
The glowing building here, burning in the setting sunlight, is a stand out image for me – excellent colour balance with the sky. I like the 2/3 ground composition; slightly unusual, and emphasising the upward slope. Maybe the shadow on right is the photographer – if I were aiming at that shot I’d probably either leave (or crop) it out, or make it a little more of the feature. It’s fine to have photographer traces captured, but my personal preference is for elements to be clearly distinguishable (not necessarily whole) in or out of the frame.